{"title":"Labor Day Sale","description":"","products":[{"product_id":"dirty-little-secret","title":"Dirty Little Secret","description":"\u003cdiv class=\"fancy-title\"\u003e\n\u003ch4\u003eClassic plexi to early 70s Marshall Super Lead and Super Bass sound and response.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"testimony\" style=\"color: #808080;\"\u003e\"It nails that classic Marshall tone.\"\u003cbr\u003e - Andy ProGuitarShop.com\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eMarshall amps helped supercharge the performance, and shape the sound of rock and roll. When the house lights dimmed, all you could see through the hazy darkness was the array of red pilot lights shining from a backline wall of Marshall stacks. In the absence of your own personal wall of Marshalls and the necessary road crew required to lug them around, the Dirty Little Secret (DLS) is the perfect secret weapon in your tone arsenal. This is your “always on” pedal, designed to be the “foundation” of your pedalboard, transforming any amplifier into those raging British stacks. It forms the core of your guitar sound which you can enhance and embellish by adding boosters, fuzzes, filters, and other overdrives in front of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003c\/h2\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946112888964,"sku":"853710004055","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/DLS_SHOPIFY-01-min.png?v=1652346444"},{"product_id":"sabbra-cadabra","title":"Sabbra Cadabra","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eTony Iommi + Treble Booster + Laney Supergroup\u003cbr\u003e\u003cspan class=\"testimony\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan class=\"testimony\"\u003e\"Transform any guitar rig into a rig of doom with the Sabbra Cadabra.\"\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e Tony Iommi arguably had the most influential tone in the history of electric guitar. Really, when you think Black Sabbath you immediately think “Electric Guitar”. His early signature sound was the result of an always on treble-booster plugged into cranked Laney Supergroup amps. This approach to guitar is extremely rewarding and fun, but lost in this day and age because honestly who can really get away with the stage volume anymore? Far and few between! We designed the Sabbra Cadabra to give players that sonic experience, re-contextualized for today’s approach where players tend to use amps solely within their clean range at more mortal volume levels.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946112987268,"sku":"853710004239","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/SABBRA_CADABRA_SHOPIFY-01-min.png?v=1652346888"},{"product_id":"rah","title":"RAH","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eIn 1970 Led Zeppelin hit the stage of London's historic concert hall, Royal Albert Hall. We love the RAH performance and were inspired by a friend to capture it in a pedal.\u003c\/h4\u003e\n\u003cp\u003eAt this performance Jimmy Page expressed himself masterfully with a broad pallet of tones and GIANT dynamic range. Of course this has a lot to do with Page’s playing technique and Gibson Les Paul. His backline amps, custom Hiwatt heads into Marshall cabinets filled the entire hall with a cornucopia of colors at levels ranging from a mouse whisper to rave ups louder than a jumbo jet taking off only inches over your head.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113052804,"sku":"853710004024","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/RAH_SHOPIFY-01-min.png?v=1652346871"},{"product_id":"adineko","title":"Adineko","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eOil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley.\u003c\/h4\u003e\n\u003cp\u003e Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (\u003ca href=\"https:\/\/www.google.com\/patents\/US3530227?dq=tel-ray+electronics+patent\u0026amp;hl=en\u0026amp;sa=X\u0026amp;ved=0ahUKEwi0suaPoaXLAhUE02MKHamYDqoQ6AEIODAE\" target=\"_blank\" class=\"md-Catalinbread-theme\" rel=\"noopener noreferrer\"\u003ePatent US3530227 A\u003c\/a\u003e), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity, murky, often with a more consistent musical vibrato that correlated to the spinning disk speed. We like to describe the sound as mysterious. The Catalinbread ADINEKO pedal is an echo, reverb, vibrato pedal that faithfully models the sonic experience of these oil can units.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113151108,"sku":"853710004314","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/ADINEKO_SHOPIFY-01-min.png?v=1652346286"},{"product_id":"talisman","title":"Talisman","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eEra-defining plate reverb with studio-style controls. 479.99% smaller than the leading plate reverb. It adds lush ambience, dimension, thickness, and depth in an unobtrusive way.\u003c\/h4\u003e\n\u003cp\u003eListen to any recording from the 70’s and you’ll most likely hear the sound of a plate reverb, a giant mechanical contraption roughly the size of a king size bed. It was ubiquitous in the studio, and was the only reverb used on Pink Floyd’s iconic Dark Side of the Moon album for example. What made plate reverb so cool? It adds lush ambience, dimension, thickness, and depth in an unobtrusive way. When you listen to your favorite albums from the 70s you probably don’t even realize how much plate reverb you are hearing. Go back and listen and hone in on the reverb sound and you’ll probably be surprised how much reverb is actually there. In the studio the plate reverb signal was often processed on the way back to the console where the things like filtering and delays were applied.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113609860,"sku":"853710004253","price":219.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/TALISMAN_SHOPIFY-01-min.png?v=1652346940"},{"product_id":"belle-epoch","title":"Belle Epoch (Black and Silver)","description":"\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eFaithful sonic recreation of the EP-3 tape echo. \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cbr\u003e \u003cspan class=\"testimony\" style=\"color: #808080;\"\u003e\"The Catalinbread Belle Epoch is the closest thing to a real EP-3 that I've ever played.\"\u003cbr\u003e - Eric Johnson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.\u003c\/p\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003c\/h2\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113642628,"sku":"853710004840","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/BELLE_EPOCH_SHOPIFY-01-min.png?v=1652347140"},{"product_id":"echorec","title":"ECHOREC","description":"\u003cdiv class=\"fancy-title\"\u003e\n\u003ch4\u003eThe resurrection of the legendary Binson ECHOREC multi-head drum echo\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"testimony\"\u003eDriving force behind Pink Floyd's Pompeii performance.\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eThe Binson Echorec was so cool we had no choice but to bring it back. And we wanted to bring it back right. We wanted to take all the goodness of that huge Binson Echorec and squeeze it down into a standard sized stompbox without losing anything. In fact, in addition to not losing any of the qualities that made it such a compelling musical device, we wanted to EXTEND its capabilities because the original Binson hinted at possibilities that it couldn’t realize. We’re talking about variable delay time! We thought, “What if we had the same four playback head concept but could stretch the delay time out beyond the 300mS of the original Binson?” Then the rhythmic patterns suggested by the various combinations of those four playback heads could really come to life!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003c\/h2\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113675396,"sku":"853710004185","price":239.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/ECHOREC_SHOPIFY-01-min.png?v=1652346506"},{"product_id":"topanga","title":"Topanga","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eBig wet and splashy.\u003cbr\u003e60's outboard spring reverb tank.\u003cbr\u003e\u003cspan class=\"testimony\"\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan class=\"testimony\"\u003e\"Surf guitarist's wet dream.\"\u003cbr\u003e- Tone Report Magazine\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e The outboard Fender 6G15 spring reverb unit is the sound of Surf guitar, Spaghetti Western and many other great guitar sounds from the sixties. Part of its magic, and how it differs from the internal spring reverb found in most Fender-style amps, is that it is run *in front* of the amp, causing the reverb signal to distort and sound more intense. Because there were additional knobs on the outboard units, you also have more control over the reverb qualities. The Dwell knob controlled how hard the springs were getting hit by the guitar signal. The Tone knob allowed the treble to be dialed back to just the right degree of brightness. It was also essentially a tube preamp, so it would color the sound going into the amp. All this added up to a very distinctive reverb sound with a lot of attitude and complex non-linearities that are hard to replicate. But we here at Catalinbread did just that! Besides giving you the classic three knob control compliment of the original, we’ve also added a great discrete preamp that you can control via the Volume knob for a healthy amount of great clean boost when you want it\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113708164,"sku":"853710004215","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/TOPANGA_SHOPIFY-01-min.png?v=1652346945"},{"product_id":"katzenkonig","title":"Katzenkönig","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eWe combined the best elements of a Tone Bender MkII fuzz with a Rat distortion to create something that sings like a fuzz but is tight like a distortion.\u003c\/h4\u003e\n\u003cp\u003eIt loves humbuckers and single coils. It loves your cranked amp and your super-clean amp. The front half of the circuit is based on the Tone Bender MKII, widely considered the most desirable of the Tone Benders. In the original, a germanium transistor makes the signal loud. A second transistor makes it very loud. A third one makes it ridiculously loud.\u003c\/p\u003e\n\u003cp\u003eThe filter control works wonders, enabling shades you'd never obtain from a Tone Bender MKII.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113904772,"sku":"853710004307","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/KATZ_SHOPIFY-01-min.png?v=1652346691"},{"product_id":"sft2","title":"SFT","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eSame insides but with new artwork! \u003c\/h4\u003e\n\u003ch4\u003eThe Catalinbread SFT is an AMPEG® inspired foundation overdrive that bridges the \"Get Yer Ya-Ya's Out (Stones) and the Desert Sound (Stoner) eras.\u003c\/h4\u003e\n\u003cp\u003e We’ve always been smitten by AMPEG®. Early on the company was a Jazz purist company, completely overlooking (possibly looking down on) more popular genres like Country \u0026amp; Western and Rock that FENDER® and MARSHALL® openly embraced. From a design standpoint they took more queues from the hifi world than they did from guitarists as evidenced by their tube complements, gain stages without cathode capacitors, and implementation of the Baxandall tone controls. And they we’re no slouches to innovation either, “Flip-top” combos is a great example. Not to mention there is at least one model of amplifier that had a torsion bar to adjust the tightness of the speaker baffle!\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":34494589501572,"sku":"853710005014","price":189.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/SFT_SHOPIFY-01-min.png?v=1652346928"},{"product_id":"cb-tap","title":"CB Tap (External Tap For Belle Epoch Deluxe)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe CB Tap is our external tap tempo mechanism that was built to connect to our Belle Epoch Deluxe. The CB Tap not only adds tap functionality to the Belle Epoch Deluxe, but also connects to anything with a tap-tempo out (excluding Boss pedals and other non normally-open taps).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe CB Tap comes with a Catalinbread-branded six-inch 1\/4” TRS patch cable to connect it to whichever pedal you decide to use.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo use the CB Tap with the Belle Epoch Deluxe: Plug one end of the 1\/4” TRS cable into the expression output of the Deluxe and the other end into the “DLX” input of the CB Tap, then start tapping and the LED indicator will follow along.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo use the CB Tap with another pedal (even simultaneously as the Deluxe): Plug one end of the 1\/4” TRS cable into any non-Boss pedal’s tap out and plug the other end into the “Tap” input of the CB Tap, then start tapping. The LED indicator will not light up when using non-Deluxe pedals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe CB Tap will set a delay time which can then be multiplied into uniform subdivisions by adjusting the \"Echo Delay\" knob. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne caveat to note is that the CB Tap will not tap anything outside of the Belle Epoch Deluxe’s delay range. For example, it will not tap slower than 800ms. This caveat only applies when tapping the Belle Epoch Deluxe. \u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":39902616486020,"sku":"853710006042","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/CB_TAP_SHOPIFY-01-min.png?v=1652347012"},{"product_id":"many-worlds","title":"Many Worlds Phaser","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe idea for Many Worlds began when we were experimenting with different LFO shapes for a phaser project–initially starting with the core of the classic \"orange box\" phaser but with a number of extra features. This LFO framework eventually led to experiments involving the modulation of one LFO by another. This is where the name Many Worlds comes from—the \"Many Worlds\" interpretation of quantum mechanics is a theory by Hugh Everette which states that quantum wave function collapse is actually the superposition of quantum states built by the decoherence of independent wave functions. This leads to the theory of parallel universes where quantum measurements have opposite results.\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":40143451488388,"sku":"853710004741","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/MANY_WORLDS_SHOPIFY-01-min.png?v=1652346723"},{"product_id":"fuzzrite-germanium","title":"Fuzzrite Germanium","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the years of 1966 to 1968, Mosrite produced two distinct fuzz circuits---one outfitted with silicon transistors, the other with germanium parts. Of the two, the germanium version is by far the most rare, with original designer and Mosrite employee Ed Sanner estimating that around 250 ever made it out the door. In that final year of production, Mosrite shifted exclusively to silicon parts, making germanium components a thing of the past. However, by 1968 the public was hungry for fuzz, having heard it on a handful of recordings, most notably \"In-A-Gadda-Da-Vida\" by Iron Butterfly and \"Incense and Peppermints\" by Strawberry Alarm Clock. These two buzzy, sinewy fuzz tones were part of a wave of psychedelic rock gaining traction in the mainstream, and both were recorded prior to the introduction of the silicon Fuzzrite. Other purported users of this early Fuzzrite circuit include Ron Asheton of the Stooges, Norman Greenbaum on \"Spirit in the Sky\", Henry Vestine of Canned Heat, and many others. We at Catalinbread happen to have a germanium version at our disposal, and we've used it as a benchmark to create an extremely faithful version with a modern twist. Just like the original, the Catalinbread Fuzzrite Germanium includes two NOS PNP germanium semiconductors with a polarity inverter IC so it plays nice with all forms of power. Unlike the original, we've added a toggle switch to shift into modern mode, significantly beefing up the low-end content to suit more contemporary rigs.\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":40817118478468,"sku":"853710004772","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/FR_GE_SHOPIFY-low.png?v=1660024534"},{"product_id":"soft-focus-reverb","title":"Soft Focus Reverb","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Soft Focus patch on the Yamaha FX500 was widely used in the ‘90s by early shoegaze bands, most notably Slowdive on \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSouvlaki.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e With its roots in that patch, the Catalinbread Soft Focus is intended to be an instant shoegaze button, while addressing the most glaring issues of the original unit: no mix control, a sub-par preamp, and a ghastly tone-sucking bypass signal. At its heart, the Soft Focus is a heavily modified plate reverb with adjustable time, which is subsequently split into three paths. One path contains a multi-voiced chorus modulator, another features a well-appointed octave-up mixed in with the reverb, and the third path leaves the reverb untouched. The Mod knob controls the rate of the chorus on path one, and the Symphony knob controls the level of the octave on path two. All controls are \"coupled\" to the tone of the reverb to give users an expansive playing field of sounds to discover and fine tune. Our Soft Focus is not an exact recreation but was exhaustively\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecompared with our own FX500; the difference is that a fairly generic fixed-time digital delay is present on the Soft Focus patch. We found that leaving this feature intact ate into the circuit’s memory just a little too much for such little payoff, so we leave that addition to you and your favorite delay.\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":40901268897924,"sku":"853710004390","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/Soft_focus_shopify-01-min.png?v=1662499970"},{"product_id":"formula-51","title":"Formula 51","description":"\u003cp\u003e\u003cstrong\u003eHomage to the Tweed Champ w\/ Variac.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll the way back in the ‘40s, Fender introduced the Champ amplifier, then known as the Champion 800. After a lengthy series of part swaps and circuit revisions, Fender arrived at the 5F1, otherwise known as the “Tweed Champ,” named so because of its unmistakable wrapping. It featured just one knob—volume—that went to 12 (in your face, Nigel), and if you’ve ever played one, that’s about all it needs. Just that one knob can coax a myriad of tones from the humble circuit, from gently gritty cleans to honking, mid-heavy blown out distortion. Unlike most amp-in-a-box devices, the Formula 51 features a preamp, a discrete power amp simulator and an output transformer to deliver the full touch-sensitive Tweed experience, with a grip of extremely interactive controls. The Sag control loads down the transformer to your taste, giving you some real-deal blown-out leads with the twist of a knob. The Tone control is straight out of the vintage amplifier playbook, incorporating the mid scoop control of the Framus Cobra amp. This time-tested mod essentially turns the mid-leaning Tweed profile into the mid-scooped “blackface” sound of later Champs. Run it at 18V for more headroom or stack it with other pedals to really dig into that transformer!\u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41253044846724,"sku":"853710004505","price":134.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/F51_NOBG_SHOPIFY-01-01-min.png?v=1672792422"},{"product_id":"formula-55-new-look","title":"Formula 55","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBig and powerful, yet refined, the Formula No. 55 melts into your amp, transforming it into a wide ranging tweed monster!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Formula No. 55 is a Foundation Overdrive that reproduces, in exact detail, the preamp section of the classic Fender™ tweed 5E3 Deluxe using an all-discrete JFET-based signal path. The Volume and Tone controls replicate, part for part, the circuitry of the 5E3, giving you authentic tweed amp response. The output section is designed to give you punch and volume with a low output impedance to drive your amp perfectly. Set the Hi-Lo button to \"Lo\" for the cleaner response of a vintage tweed. \"Hi\" is like hot rodding your amp by swapping in higher gain tubes.\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41253066834052,"sku":"853710004512","price":189.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/F55_shopify-01-min.png?v=1672793938"},{"product_id":"formula-5f6-new-look","title":"Formula 5F6","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Catalinbread 5F6 is our take on the classic tweed Bassman-style amplifier from the late 1950s.Utilizing 2-6L6 output tubes into 4-10\" speakers, the Bassman quickly became the mainstay of stages everywhere during that era.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Formula 5F6 adds vintage tweed Bassman response to our range of Foundation Overdrives, giving you the awesome characteristics of this classic amp into any clean amp.Do you play a high-powered clean amp such as a Twin and can’t get a good cranked response at the real world gig volumes you have to play at? Do you play a smaller amp at home but it’s still too loud to give you a great amp response? Do you have a two-channel amp but hate the dirty channel? Or maybe you can playas loud as you want but you crave more touch-sensitivity in your rig. Or maybe you’re having trouble integrating fuzzes into your rig; maybe they get too loud or they just don’t sound right because your amp tone is too clean and the dirty channel of your amp makes the fuzz sound thin, farty, and pinched-o. Adding theFormula 5F6 to your rig will solve all these problems and will become the foundation of your pedalboard, the pedal that will enhance the response of all your other pedals.The Formula 5F6 lends itself to almost any musical style, from the classic Strat - Bassman blues tones ofBuddy Guy and Otis Rush to artists like Jimmie and Stevie Ray Vaughn, Robbie Robertson, Robben Ford, all the way to heavier styles by stacking boost, overdrive, or fuzz pedals into it. Don’t worry, the Formula 5F6won’t just make you play old music! It will take you where your imagination takes you!\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41253086429316,"sku":"853710004529","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/F5F6_shopify-01-min.png?v=1672795870"},{"product_id":"dirty-little-secret-deluxe","title":"Dirty Little Secret Deluxe","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe ultimate Marshall Plexi emulation and fully-customizable amp-in-a-box experience.\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Dirty Little Secret Deluxe represents the next logical step in Marshall Plexi emulation, reaching beyond the preamp circuit and adding the rest of the amp for an extremely authentic take on everything inside that chassis. Our original DLS circuit has been tweaked and upgraded throughout, now featuring a phase inverter, power amp sim and output transformer as well as some new features and the most requested modifications for the original. One such addition is a toggle switch on the outside to select between Super Lead and Super Bass modes, and we’ve also externalized the Presence knob to easily dial in your preferred Marshall flavor. Also added is a piece of the Dirty Little Secret—a single preamp tube simulator—as a built-in boost circuit that can be used independently of the main circuit. You can run the boost and DLS in any order you like; put the boost before the DLS for a high-powered saturated tone or after to pummel the front end of your amp. A new tightness knob lets you shave off the sub-bass for a little extra clarity or completely attenuate the low end for some cool thrash metal tones. A Line Out jack gives you a dedicated +10dB output that you can use with a mixer or DAW, and you can use both outputs simultaneously. Between the Boost, order selector and the external Super Lead\/Super Bass modes, the Dirty Little Secret Deluxe is engineered to be a total performance tool that does the line justice.\u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41579097981060,"sku":"853710004536","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/DLS_DLX_SHOPIFY-01-min.png?v=1693961316"},{"product_id":"cbx-gated-reverb","title":"CBX Gated Reverb","description":"\u003ch4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe CBX gives you full control over a classic studio trick popularized in the ‘80s by Phil Collins and Bruce Springsteen known as gated reverb. Originally, this involved an SSL console’s talkback mic channel fed back through the console preamp and into a noise gate\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn the primordial ooze of studio tricks, many recording engineers had to invent their own effects. Double tracking and flanging started as manual manipulations of magnetic tape and the machinery used to process it. One such effect is gated reverb, the combination of digital reverb and noise gate, “invented” in the ‘70s but popularized in the ‘80s by one Phil Collins. Like many now-legendary effects, gated reverb was invented by accident using the Solid State Logic SL4000 Talkback Mic channel and AMS RMX16 digital reverb units. The premise is simple enough: the gate is a function of the signal strength; once the signal level drops below an adjustable threshold, the reverb tail snaps shut. Our CBX recreates this magical symbiosis with an overdrivable preamp, adjustable reverb lag time and a full wet-dry blend. The result is a lovely and expressive “always-on” reverb that stays in its lane and won’t interfere with the all-important mix. \u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41634490876036,"sku":"853710004697","price":149.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/cbx-shopify-01-min.png?v=1697572716"},{"product_id":"sinkhole-modulated-reverb","title":"Sinkhole Modulated Reverb","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Sinkhole is perhaps our most ethereal reverb unit to date. We’ve combined a harmonically-rich “hole” reverb with an impossibly deep four-voice chorus that’s been outfitted with a feedback control and a gentle high-cut filter. Within this arrangement, the feedback control allows the Sinkhole to reach deep within the reverb to extract some truly otherworldly tunable modulation, featuring everything from comb filtering to pseudo-phaser to haunting auto-filtering. That aspect never gets out of control; it’s all wrapped up within the confines of the reverb. We’ve stretched the reverb trails out to their absolute limit, with the maximum decay time almost freezing your signal in space. Extreme settings evoke warm synthesizer pads, reminiscent of vintage analog-digital hybrids, holding your modulated note indefinitely. Combine all that with a full wet-dry blend and a warm preamp circuit, and you’re beginning to feel the gravity of the Sinkhole. Let’s get pulled in, shall we?\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41683313721476,"sku":"853710004703","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/Sinkhole_shopify-01-min.png?v=1701822334"},{"product_id":"naga-viper-mkii","title":"Naga Viper MKII","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrian May, Eric Clapton, Tony Iommi, and others pioneered the use of the Treble Booster, more specifically the Dallas Rangemaster*. One thing that made this circuit such an anomaly in effects canon was its lack of foot control; the Rangemaster was an amp-top device with a teeny-tiny toggle switch that was an absolute pain to disengage mid-riff. Of course, back in 1966 when it was invented, “pedals” as we know them today didn’t exist yet. For those players, their rig consisted of amp, Rangemaster and guitar.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll of these players found that the Rangemaster really came to life when it fed an already cranked amp, and indeed, the sound of Rangemaster-into-redlined-amp is instantly recognizable to its devotees.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn today’s modern landscape though, things aren’t always nearly that simple. Some players run any combination of effects into their amp, with some players having multiple “always-on” pedals careening into the treble booster. Now equipped with a foot-operated bypass switch, the humble treble booster may still hit a cranked amp but oftentimes it does so with the backing of multiple gain devices feeding it. For some players, this works. For many, this arrangement loses sight of what a treble booster actually does and what it adds to a rig.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe newest version of our Naga Viper fixes this problem by adding an attenuator knob. This control acts like a level control for everything in front of the Naga Viper, letting you shave some heat from the incoming signal before it runs through the proverbial gears of the booster. This leads to less saturation and undesirable effects and more treble-boosting goodness going into your amp.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe transistor in the Naga Viper has also been replaced and the circuit tastefully reworked to accommodate players of all stripes. Some players will leave the Attenuate control all the way up, and this design choice is for them. By swapping out the transistor, the Naga Viper is even hotter than before, with extended ranges for both Heat and Boost controls. Diming both controls now gives a slight edge compared to V1, opening up the range of the attenuator as well.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough the actual production number of the Rangemaster is unknown, the general consensus is that not many were ever manufactured. While the majority of those released contained the same value for the boost potentiometer, some much rarer versions purportedly contained a different value that is said to make the tone hotter and a touch \"gainier\". We agree, and our newest version contains that uncommon value to extract a little \"more\" from this circuit.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNone of the legendary Rangemaster players had many controls to work with, so we’ve reconfigured the circuit with that ethos in mind. The knobs on the Naga Viper aren’t there for constant twiddling, just set it up how it works for you once, then leave it alone and play that thang!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*References herein to the \"Dallas Rangemaster\" and \"Rangemaster\" refer to the iconic\u003cbr data-mce-fragment=\"1\"\u003eRangemaster from the 1960s.  Rangemaster® is currently a registered trademark of Sound City Amplification, LLC.\u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41717426290820,"sku":"853710005229","price":184.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/Naga2_shopify-low-min.png?v=1705451105"},{"product_id":"epoch-bias","title":"Epoch Bias","description":"\u003cp\u003e\u003cstrong\u003eThe Maestro EP-3 Echoplex has been responsible for some of the most iconic tones in rock history. In 2020, we delivered a pared-down version of that preamp with the Epoch Boost. The all-new Epoch Bias expands on that circuit with a couple crucial differences. The Bias control simulates out-of-spec parts on the original, adjusting the base gain and body of the EP-3, which adds only a trivial amount of gain on its own. The new Filter control brings you the best of the early and late model EP-3, with a tasteful treble cut that lets you adapt the pedal to your rig and tone. Join us and experience the most refined version of the effect that launched a thousand discographies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first solid-state Echoplex that was released found its way into innumerable recording studios, guitarists found themselves plugging into it to extract its wonderful preamp qualities right before hitting the amp. And staying true to that, our original Epoch Boost was billed as something of a “mastering tool”, the finishing touch for your tone. And while you are certainly free to place it anywhere you like, almost everyone, including the pros, preferred it at the end of the chain as an “always on” to tighten up the entire mix while adding some extra sparkle on top. It just made everything sound “good.” When it came time to head back to the drawing board, we thought of a couple extra variables you could use to craft your perfect EP-3 experience. We added a Bias control which gives you a little more gain and body from the stock circuit by simulating out-of-spec parts in the preamp core, so that every pedal is “one of the good ones.” We played with the “early” and “later” circuits and found the differences to be a bit too subtle, so we decided to add a well-curated filter knob to take you from early to later and beyond, a tasteful hi-cut that lets you adapt the pedal to your rig, not the other way around. The Preamp control lets you engage a gentle filtering circuit that simulates the Volume control from the original Echoplex, acting on the tone as the echo would have. The stock EP-3 circuit adds only a trivial amount of gain by itself, so we’ve included a Boost knob to wring as much gain from it as possible, giving you a real punch where you need it. It’s certainly our most tweakable EP-3 offering to date, with everything you want and nothing you don’t.\u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41755627880580,"sku":"853710005243","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/EpochBiasShopify-01-min.png?v=1709068123"},{"product_id":"perseus-dio","title":"Perseus DIO","description":"\u003cp\u003e\u003cspan data-pf-type=\"Text\" class=\"sc-fIosxK dnoTqD pf-266_\"\u003eFewer things give guitarists that fabled “riff face” more than a fuzz mixed with an analog octave down, and our original Perseus was a trailblazer in that regard. With that said, the Perseus Dio is a rightful successor to that box. The Perseus Dio greatly expands on the concept of our original device, giving you a three-voice all-analog octave down device with adjustable octave filters. Three knobs control the mixer section, giving you one octave down, two octaves down, and a dry, boosted distortion. The Dry knob gives you a really great light distortion sound that’s more than capable of pushing your amp into overdrive, but the fun starts when you control the levels of octave down signals with their accompanying low-pass filters. With no filtering, the octaves are harmonically rich square waves that sound like old-school Nintendo, but turning up their accompanying filter knobs smooth out the harmonics and turn into clean octaves down. Let’s get pixelated. \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41842229084292,"sku":"853710005359","price":184.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/Perseus_shopify-min.png?v=1717568656"},{"product_id":"catalinbread-bitters","title":"Catalinbread Bitters","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Bitters is a reimagining of a hyper-deranged multifx processor, the Alesis Bitrman. Featuring knobs for Distortion, Phaser and one of four choosable sound manglers, you can dial in everything from a lush chorus to a crushing barrage of noise. A handy Mix control reins in the mayhem, making for a unique soundscaping tool perfect for the pedalboard or mixing desk.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIn 2004, the Alesis company released a series of effects geared towards tabletop musicians and DJs. This series was called “ModFX” and featured seven relatively pedestrian effect types, including vocoder, tremolo, compression, phaser, flanger, and filter. The seventh one, however, was a beast all its own among its ModFX peers and pedals in general. It is called the Bitrman. Our Bitters distills the madness of this circuit, fixing up the original’s shortcomings and trimming the fat to deliver an infinitely more usable version.Occupying the darkest corner of the soundscaping realm, the Bitters will give you lush, usable effects or completely render your signal into a puddle of digital mess. Just like the original, the Bitters pairs just as well with synths, drum machines, and DAWs as it does with electric guitar and bass. And since the original didn’t have a mix control of any kind, the Bitters is infinitely more usable than the original ever was.The Bitters is essentially a multi-effects device on steroids, giving you individual knobs for distortion and phaser, along with a third user-selectable program called “Bitters.” This program can be one of four different effects: Decimator, Bitcrusher, Frequency Modulation, and Ring Modulation. These three effects are run in series, but you can reverse the order such that Bitters comes first for some complete sonic mayhem.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41864921546884,"sku":"853710005465","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/bitters-shopify-01-min.png?v=1720583675"},{"product_id":"galileo-red-special","title":"Galileo Red Special","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWe said it when it was first released, but now the verdict is in from the man himself: Brian May stated in the June issue of Guitar World that there’s only one stompbox out there capable of nailing his signature sound, and that piece of kit is none other than the Catalinbread Galileo. Though it was not designed in tandem with the man himself, perhaps no other pedal in our line required as much R\u0026amp;D as the Galileo, and we think that after so many years it still comes closer than anything else in the marketplace. To commemorate such a glowing endorsement, we’re releasing the limited “Red Special” colorway, patterned after Mr. May’s signature guitar, a must-have for doing the fandango.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41870716665988,"sku":"853710005489","price":169.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/gal-shopify-01-min.png?v=1721064067"}],"url":"https:\/\/catalinbread.pro\/collections\/labor-day-sale.oembed","provider":"Catalinbread Effects","version":"1.0","type":"link"}