{"title":"20% off","description":"","products":[{"product_id":"dirty-little-secret","title":"Dirty Little Secret","description":"\u003cdiv class=\"fancy-title\"\u003e\n\u003ch4\u003eClassic plexi to early 70s Marshall Super Lead and Super Bass sound and response.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"testimony\" style=\"color: #808080;\"\u003e\"It nails that classic Marshall tone.\"\u003cbr\u003e - Andy ProGuitarShop.com\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eMarshall amps helped supercharge the performance, and shape the sound of rock and roll. When the house lights dimmed, all you could see through the hazy darkness was the array of red pilot lights shining from a backline wall of Marshall stacks. In the absence of your own personal wall of Marshalls and the necessary road crew required to lug them around, the Dirty Little Secret (DLS) is the perfect secret weapon in your tone arsenal. This is your “always on” pedal, designed to be the “foundation” of your pedalboard, transforming any amplifier into those raging British stacks. It forms the core of your guitar sound which you can enhance and embellish by adding boosters, fuzzes, filters, and other overdrives in front of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2 style=\"text-align: center;\"\u003e\u003c\/h2\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946112888964,"sku":"853710004055","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/DLS_SHOPIFY-01-min.png?v=1652346444"},{"product_id":"rah","title":"RAH","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eIn 1970 Led Zeppelin hit the stage of London's historic concert hall, Royal Albert Hall. We love the RAH performance and were inspired by a friend to capture it in a pedal.\u003c\/h4\u003e\n\u003cp\u003eAt this performance Jimmy Page expressed himself masterfully with a broad pallet of tones and GIANT dynamic range. Of course this has a lot to do with Page’s playing technique and Gibson Les Paul. His backline amps, custom Hiwatt heads into Marshall cabinets filled the entire hall with a cornucopia of colors at levels ranging from a mouse whisper to rave ups louder than a jumbo jet taking off only inches over your head.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113052804,"sku":"853710004024","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/RAH_SHOPIFY-01-min.png?v=1652346871"},{"product_id":"adineko","title":"Adineko","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eOil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley.\u003c\/h4\u003e\n\u003cp\u003e Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (\u003ca href=\"https:\/\/www.google.com\/patents\/US3530227?dq=tel-ray+electronics+patent\u0026amp;hl=en\u0026amp;sa=X\u0026amp;ved=0ahUKEwi0suaPoaXLAhUE02MKHamYDqoQ6AEIODAE\" target=\"_blank\" class=\"md-Catalinbread-theme\" rel=\"noopener noreferrer\"\u003ePatent US3530227 A\u003c\/a\u003e), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity, murky, often with a more consistent musical vibrato that correlated to the spinning disk speed. We like to describe the sound as mysterious. The Catalinbread ADINEKO pedal is an echo, reverb, vibrato pedal that faithfully models the sonic experience of these oil can units.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113151108,"sku":"853710004314","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/ADINEKO_SHOPIFY-01-min.png?v=1652346286"},{"product_id":"talisman","title":"Talisman","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eEra-defining plate reverb with studio-style controls. 479.99% smaller than the leading plate reverb. It adds lush ambience, dimension, thickness, and depth in an unobtrusive way.\u003c\/h4\u003e\n\u003cp\u003eListen to any recording from the 70’s and you’ll most likely hear the sound of a plate reverb, a giant mechanical contraption roughly the size of a king size bed. It was ubiquitous in the studio, and was the only reverb used on Pink Floyd’s iconic Dark Side of the Moon album for example. What made plate reverb so cool? It adds lush ambience, dimension, thickness, and depth in an unobtrusive way. When you listen to your favorite albums from the 70s you probably don’t even realize how much plate reverb you are hearing. Go back and listen and hone in on the reverb sound and you’ll probably be surprised how much reverb is actually there. In the studio the plate reverb signal was often processed on the way back to the console where the things like filtering and delays were applied.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113609860,"sku":"853710004253","price":219.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/TALISMAN_SHOPIFY-01-min.png?v=1652346940"},{"product_id":"katzenkonig","title":"Katzenkönig","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eWe combined the best elements of a Tone Bender MkII fuzz with a Rat distortion to create something that sings like a fuzz but is tight like a distortion.\u003c\/h4\u003e\n\u003cp\u003eIt loves humbuckers and single coils. It loves your cranked amp and your super-clean amp. The front half of the circuit is based on the Tone Bender MKII, widely considered the most desirable of the Tone Benders. In the original, a germanium transistor makes the signal loud. A second transistor makes it very loud. A third one makes it ridiculously loud.\u003c\/p\u003e\n\u003cp\u003eThe filter control works wonders, enabling shades you'd never obtain from a Tone Bender MKII.\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":32946113904772,"sku":"853710004307","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/KATZ_SHOPIFY-01-min.png?v=1652346691"},{"product_id":"sft2","title":"SFT","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eSame insides but with new artwork! \u003c\/h4\u003e\n\u003ch4\u003eThe Catalinbread SFT is an AMPEG® inspired foundation overdrive that bridges the \"Get Yer Ya-Ya's Out (Stones) and the Desert Sound (Stoner) eras.\u003c\/h4\u003e\n\u003cp\u003e We’ve always been smitten by AMPEG®. Early on the company was a Jazz purist company, completely overlooking (possibly looking down on) more popular genres like Country \u0026amp; Western and Rock that FENDER® and MARSHALL® openly embraced. From a design standpoint they took more queues from the hifi world than they did from guitarists as evidenced by their tube complements, gain stages without cathode capacitors, and implementation of the Baxandall tone controls. And they we’re no slouches to innovation either, “Flip-top” combos is a great example. Not to mention there is at least one model of amplifier that had a torsion bar to adjust the tightness of the speaker baffle!\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":34494589501572,"sku":"853710005014","price":189.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/SFT_SHOPIFY-01-min.png?v=1652346928"},{"product_id":"many-worlds","title":"Many Worlds Phaser","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe idea for Many Worlds began when we were experimenting with different LFO shapes for a phaser project–initially starting with the core of the classic \"orange box\" phaser but with a number of extra features. This LFO framework eventually led to experiments involving the modulation of one LFO by another. This is where the name Many Worlds comes from—the \"Many Worlds\" interpretation of quantum mechanics is a theory by Hugh Everette which states that quantum wave function collapse is actually the superposition of quantum states built by the decoherence of independent wave functions. This leads to the theory of parallel universes where quantum measurements have opposite results.\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":40143451488388,"sku":"853710004741","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/MANY_WORLDS_SHOPIFY-01-min.png?v=1652346723"},{"product_id":"formula-55-new-look","title":"Formula 55","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBig and powerful, yet refined, the Formula No. 55 melts into your amp, transforming it into a wide ranging tweed monster!\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Formula No. 55 is a Foundation Overdrive that reproduces, in exact detail, the preamp section of the classic Fender™ tweed 5E3 Deluxe using an all-discrete JFET-based signal path. The Volume and Tone controls replicate, part for part, the circuitry of the 5E3, giving you authentic tweed amp response. The output section is designed to give you punch and volume with a low output impedance to drive your amp perfectly. Set the Hi-Lo button to \"Lo\" for the cleaner response of a vintage tweed. \"Hi\" is like hot rodding your amp by swapping in higher gain tubes.\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41253066834052,"sku":"853710004512","price":189.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/F55_shopify-01-min.png?v=1672793938"},{"product_id":"formula-5f6-new-look","title":"Formula 5F6","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Catalinbread 5F6 is our take on the classic tweed Bassman-style amplifier from the late 1950s.Utilizing 2-6L6 output tubes into 4-10\" speakers, the Bassman quickly became the mainstay of stages everywhere during that era.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Formula 5F6 adds vintage tweed Bassman response to our range of Foundation Overdrives, giving you the awesome characteristics of this classic amp into any clean amp.Do you play a high-powered clean amp such as a Twin and can’t get a good cranked response at the real world gig volumes you have to play at? Do you play a smaller amp at home but it’s still too loud to give you a great amp response? Do you have a two-channel amp but hate the dirty channel? Or maybe you can playas loud as you want but you crave more touch-sensitivity in your rig. Or maybe you’re having trouble integrating fuzzes into your rig; maybe they get too loud or they just don’t sound right because your amp tone is too clean and the dirty channel of your amp makes the fuzz sound thin, farty, and pinched-o. Adding theFormula 5F6 to your rig will solve all these problems and will become the foundation of your pedalboard, the pedal that will enhance the response of all your other pedals.The Formula 5F6 lends itself to almost any musical style, from the classic Strat - Bassman blues tones ofBuddy Guy and Otis Rush to artists like Jimmie and Stevie Ray Vaughn, Robbie Robertson, Robben Ford, all the way to heavier styles by stacking boost, overdrive, or fuzz pedals into it. Don’t worry, the Formula 5F6won’t just make you play old music! It will take you where your imagination takes you!\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41253086429316,"sku":"853710004529","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/products\/F5F6_shopify-01-min.png?v=1672795870"},{"product_id":"sinkhole-modulated-reverb","title":"Sinkhole Modulated Reverb","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Sinkhole is perhaps our most ethereal reverb unit to date. We’ve combined a harmonically-rich “hole” reverb with an impossibly deep four-voice chorus that’s been outfitted with a feedback control and a gentle high-cut filter. Within this arrangement, the feedback control allows the Sinkhole to reach deep within the reverb to extract some truly otherworldly tunable modulation, featuring everything from comb filtering to pseudo-phaser to haunting auto-filtering. That aspect never gets out of control; it’s all wrapped up within the confines of the reverb. We’ve stretched the reverb trails out to their absolute limit, with the maximum decay time almost freezing your signal in space. Extreme settings evoke warm synthesizer pads, reminiscent of vintage analog-digital hybrids, holding your modulated note indefinitely. Combine all that with a full wet-dry blend and a warm preamp circuit, and you’re beginning to feel the gravity of the Sinkhole. Let’s get pulled in, shall we?\u003c\/span\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41683313721476,"sku":"853710004703","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/Sinkhole_shopify-01-min.png?v=1701822334"},{"product_id":"naga-viper-mkii","title":"Naga Viper MKII","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrian May, Eric Clapton, Tony Iommi, and others pioneered the use of the Treble Booster, more specifically the Dallas Rangemaster*. One thing that made this circuit such an anomaly in effects canon was its lack of foot control; the Rangemaster was an amp-top device with a teeny-tiny toggle switch that was an absolute pain to disengage mid-riff. Of course, back in 1966 when it was invented, “pedals” as we know them today didn’t exist yet. For those players, their rig consisted of amp, Rangemaster and guitar.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll of these players found that the Rangemaster really came to life when it fed an already cranked amp, and indeed, the sound of Rangemaster-into-redlined-amp is instantly recognizable to its devotees.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn today’s modern landscape though, things aren’t always nearly that simple. Some players run any combination of effects into their amp, with some players having multiple “always-on” pedals careening into the treble booster. Now equipped with a foot-operated bypass switch, the humble treble booster may still hit a cranked amp but oftentimes it does so with the backing of multiple gain devices feeding it. For some players, this works. For many, this arrangement loses sight of what a treble booster actually does and what it adds to a rig.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe newest version of our Naga Viper fixes this problem by adding an attenuator knob. This control acts like a level control for everything in front of the Naga Viper, letting you shave some heat from the incoming signal before it runs through the proverbial gears of the booster. This leads to less saturation and undesirable effects and more treble-boosting goodness going into your amp.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe transistor in the Naga Viper has also been replaced and the circuit tastefully reworked to accommodate players of all stripes. Some players will leave the Attenuate control all the way up, and this design choice is for them. By swapping out the transistor, the Naga Viper is even hotter than before, with extended ranges for both Heat and Boost controls. Diming both controls now gives a slight edge compared to V1, opening up the range of the attenuator as well.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThough the actual production number of the Rangemaster is unknown, the general consensus is that not many were ever manufactured. While the majority of those released contained the same value for the boost potentiometer, some much rarer versions purportedly contained a different value that is said to make the tone hotter and a touch \"gainier\". We agree, and our newest version contains that uncommon value to extract a little \"more\" from this circuit.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNone of the legendary Rangemaster players had many controls to work with, so we’ve reconfigured the circuit with that ethos in mind. The knobs on the Naga Viper aren’t there for constant twiddling, just set it up how it works for you once, then leave it alone and play that thang!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e*References herein to the \"Dallas Rangemaster\" and \"Rangemaster\" refer to the iconic\u003cbr data-mce-fragment=\"1\"\u003eRangemaster from the 1960s.  Rangemaster® is currently a registered trademark of Sound City Amplification, LLC.\u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41717426290820,"sku":"853710005229","price":184.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/Naga2_shopify-low-min.png?v=1705451105"},{"product_id":"perseus-dio","title":"Perseus DIO","description":"\u003cp\u003e\u003cspan data-pf-type=\"Text\" class=\"sc-fIosxK dnoTqD pf-266_\"\u003eFewer things give guitarists that fabled “riff face” more than a fuzz mixed with an analog octave down, and our original Perseus was a trailblazer in that regard. With that said, the Perseus Dio is a rightful successor to that box. The Perseus Dio greatly expands on the concept of our original device, giving you a three-voice all-analog octave down device with adjustable octave filters. Three knobs control the mixer section, giving you one octave down, two octaves down, and a dry, boosted distortion. The Dry knob gives you a really great light distortion sound that’s more than capable of pushing your amp into overdrive, but the fun starts when you control the levels of octave down signals with their accompanying low-pass filters. With no filtering, the octaves are harmonically rich square waves that sound like old-school Nintendo, but turning up their accompanying filter knobs smooth out the harmonics and turn into clean octaves down. Let’s get pixelated. \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41842229084292,"sku":"853710005359","price":184.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/Perseus_shopify-min.png?v=1717568656"},{"product_id":"catalinbread-bitters","title":"Catalinbread Bitters","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Bitters is a reimagining of a hyper-deranged multifx processor, the Alesis Bitrman. Featuring knobs for Distortion, Phaser and one of four choosable sound manglers, you can dial in everything from a lush chorus to a crushing barrage of noise. A handy Mix control reins in the mayhem, making for a unique soundscaping tool perfect for the pedalboard or mixing desk.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIn 2004, the Alesis company released a series of effects geared towards tabletop musicians and DJs. This series was called “ModFX” and featured seven relatively pedestrian effect types, including vocoder, tremolo, compression, phaser, flanger, and filter. The seventh one, however, was a beast all its own among its ModFX peers and pedals in general. It is called the Bitrman. Our Bitters distills the madness of this circuit, fixing up the original’s shortcomings and trimming the fat to deliver an infinitely more usable version.Occupying the darkest corner of the soundscaping realm, the Bitters will give you lush, usable effects or completely render your signal into a puddle of digital mess. Just like the original, the Bitters pairs just as well with synths, drum machines, and DAWs as it does with electric guitar and bass. And since the original didn’t have a mix control of any kind, the Bitters is infinitely more usable than the original ever was.The Bitters is essentially a multi-effects device on steroids, giving you individual knobs for distortion and phaser, along with a third user-selectable program called “Bitters.” This program can be one of four different effects: Decimator, Bitcrusher, Frequency Modulation, and Ring Modulation. These three effects are run in series, but you can reverse the order such that Bitters comes first for some complete sonic mayhem.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":41864921546884,"sku":"853710005465","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/bitters-shopify-01-min.png?v=1720583675"},{"product_id":"wake-chorus-octaver","title":"Wake Chorus\/Octaver","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eOur new Wake serves up an additive chorus effect that plays well as an “always-on” tonal thickener with a twist. A clean octave down circuit runs parallel to the chorus engine and is independently mixable for even more added depth. Unlike many choruses that stand out in the mix, the Wake shakes hands with your other pedals and amp for seamless integration.\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhile it was the analog chorus that initially set our hearts ablaze in the world of multitracking, it was that early digital gear that infiltrated the studios and found its way onto any number of ‘80s and ‘90s records. The music with what feels like the entire mix bathed in digital rack choruses went by many names but eventually settled on the name “dream pop.” While the term shares origins with shoegaze, it is one meant to convey atmospherics in equal measure with the melodic hooks and moods commonly associated with pop music. We’ve thrown our hat into the dream pop ring with the Wake, an eight-voice chorus that works with your other pedals rather than against them, while imparting dynamics and mood. As you might expect, “mood” is something the Wake has in spades, from wide-ranging rate and depth controls to a mix knob that imparts a gentle pitch vibrato. New to the chorus world is the implementation of a mixable octave-down control that adds a new dimension of depth without impeding the musicality. Many analog chorus units sound too much like an “effect,” which is why some people turn their noses up at the thought. The Wake aims to integrate effortlessly into any setup and provide a foundational building block that livens up your playing without sounding like total cheese. It’s easy to dial in, easy to leave on, and easy to get lost in. Enter: the Wake. \u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":50590848811140,"sku":"853710005816","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/wake_shopify-01-min.png?v=1745994524"},{"product_id":"silver-kiss","title":"Silver Kiss Overdrive (2007 Reissue)","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Silver Kiss MK2 is engineered to give you three effects in one: clean boost, medium-gain OD and a powerful three-band EQ. After finding one tucked away in storage, we decided to give new players a crack at trying out our original flagship overdrive. Voiced to be a glassy drive with superior breakup and natural-sounding note decay, the Silver Kiss’s front end features a tastefully-voiced op-amp drive engine with just the right amount of gentle clipping to make harmonics really pop. Dialing back the gain control removes all semblance of crunch for a whistle-clean boost with a robust EQ section backing it. Setting each EQ band to noon also removes them from the circuit for a transparent boost-OD combo. The active EQ is an extremely powerful one with much more boost available on all three bands and some supreme interactivity to conjure up some real wool or some thinned-out tones that can be supplemented with another pedal further down the line.\u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread Effects","offers":[{"title":"Default Title","offer_id":50651669037188,"sku":"853710005885","price":169.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0370\/1873\/0628\/files\/SK_SHOP-01.png?v=1747240813"}],"url":"https:\/\/catalinbread.pro\/collections\/20-off.oembed","provider":"Catalinbread Effects","version":"1.0","type":"link"}